In an interview with Out, an LGBTQ+ magazine, Chance articulates that most of the inspiration behind the creation of the EP stems from his desire to be a queer figure that the youth can look up to. But perhaps his most honest and transparent selection of self-composed songs to date is nestled in the center of his latest EP release, Trophies. This viral moment would foreshadow his illustrious up-and-coming career, with Chance releasing light-hearted bops such as Dancing Next to Me and Unfriend You, interspersed with the occasional heart-wrenching ballad-like west texas and yours. Even now, that video of him stands at a whopping 69 million views, with commenters still expressing amazement at his vocal range and control at such a young age. 2, maybe his mentor could have him record some material she could actually dance across a table to.It has been over 11 years since the unassuming grade-schooler Greyson Chance wowed an audience with his cover of Lady Gaga’s Paparazzi. If “Hold on ‘Til the Night” doesn’t completely bum out everyone who took to him on “Ellen,” and Chance can hold on ‘til album No. (He turns 14 later this month.) He deserves a chance to act his age … or even within a decade of his age. Precocity for its own sake can be fun at a party - or not - but it’s wearisome as a career tactic.Ĭhance obviously has talent beyond his years, even if it’s hard to figure which side of the divide his post-pubescent voice will land on. Through it all, you get the sense of being at someone’s home where the host parents have dressed an overachiever kid up in adult clothes and asked the poor savant to belt out a Judy Garland tune before bedtime. But the “Viva la Vida”-style strings make the song sound distinctly adult-contemporary and as age-inappropriate as the rest of this collection’s dull arrangements. Chance’s new single, “Unfriend Me,” has the social-media connotations of the title to actually tie it to teen-hood. The first lines of the songs offer clues to the kind of downer-fest fans are in for: “My heart beats a little bit slower/These nights are a little bit colder/Now that you’re gone…” “Late at night I start to think about the things I did wrong…” “Watching the minute hand/Frozen solid not moving…” “You’ll never enjoy your life…” “I really thought you were the one/It was over before it begun…” (Chance’s English teacher will have a field day with that one.)īieber sings breakup songs, too, but at least “Baby” didn’t sound like cause to break out the kiddie Lexapro, and the lyrics sound like they were written from the perspective of someone experiencing a first breakup, not a middle-aged guy drowning his sorrows. The target audience must be beaten-down contemporaries of Chance’s who have loved and lost a lot since they started their dating lives at 8 or 9. So we get an album in which his still-high voice is put to work in the service of world-weary laments. They set to work on the kid’s debut thinking there should be as much drama and sense of do-or-die occasion in every tune he recorded. His “Paparazzi” upped the sense of melodrama-queen theatricality inherent in Gaga’s tune to an almost hilariously precocious level.īut if there was a slight joke to how mature Chance seemed covering Gaga, his producers and writers don’t seem to be in on it. At last count, the video was up to almost 42 million views on YouTube. Chance made his mark on pop culture in 2010 with a homemade video of his solo piano cover of Lady Gaga’s “Paparazzi,” filmed when he was a lad of 12.
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